Benoit Jacob, the head designer for the new BMW i family, recently attended a series of exhibitions and design discussions in New York. Sponsored by Dwell Media along with BMW i, the event was moderated by Sam Grawe, editor of Dwell magazine. On this ocassion, Jacob offered more insight into the BMW i brand, its design language and mobility challenges in the futurity.

"After over a century of car design, it may be fourth dimension for a bit of a rebirth," Mr. Jacob said for NY Times. In his oral communication, he makes a reference to a popular slogan these days at BMW: future mobility. Along with the i sub-brand, BMW also focuses on other methods to amend mobility within congested cities,, such as the car-sharing programme launched in Munich or mobile apps backed by the new BMW i Venture fund.

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Part of his presentation, Jacob showcased the new computer generated images of the upcoming i3 and i8 electric vehicles. He also shared some of the stranger experiments going on at BMW that went beyond even the cloth-bodied GINA concept car, including machine-body fabrication that uses only the folding of sheet metal, origami style or the rendering of another idea, a passenger van, gestured toward sustainability by incorporating recycled wood into its torso.

Every bit the BMW pattern boss said dorsum 2010, the opportunity to create a new make from a clean canvas of paper comes once in a lifetime for a designer and the BMW i artistic team is conveying a huge responsibility on their shoulders, along with the excitement to create history for the brand. Adrian Van Hooydonk also repeatedly said in the past that BMW'due south cadre values and DNA will keep to alive in the new electric car.

Jacob was responsible for the BMW M1 Hommage shown in 2008 and also worked on the canceled BMW CS Concept. Prior to his BMW life, the French-born Jacob worked at Renault where he was responsible for the design of Dacia Logan, a low-toll vehicle produced past the Renault subsidiary.

A full report can exist found at New York Times.